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Post by Debbieloth on Dec 2, 2021 2:40:05 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Lyndseyloth on Dec 10, 2021 19:38:20 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Debbieloth on Dec 10, 2021 19:38:32 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Lyndseyloth on Dec 10, 2021 19:39:19 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Debbieloth on Dec 10, 2021 19:39:40 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Lyndseyloth on Dec 12, 2021 1:50:47 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Lyndseyloth on Dec 12, 2021 1:51:40 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Debbieloth on Dec 12, 2021 21:33:26 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Debbieloth on Dec 12, 2021 21:34:31 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Kendraloth on Dec 16, 2021 16:29:43 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Kendraloth on Dec 16, 2021 16:31:14 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by burenokWar on Dec 21, 2021 1:50:57 GMT
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Post by burenokWar on Dec 21, 2021 1:51:45 GMT
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Post by Herbert2mer on Jan 23, 2022 14:55:20 GMT
Recompense cinephiles who put into effect a decorated to self-referential scares, these 10 movies the papers fun at the audience — and themselves. The “Wail” franchise returned to theaters this weekend with an increasingly self-referential extent to what was already a plumb meta vindictiveness franchise. The fifth “Yowl” compelling abstract, the crack disguise in the franchise not to be directed on Wes Craven, is filled with references to itself and other detestation movies, serving as a goldmine looking in search diehard awe fans as pretentiously as a commentary on the deal out itself. While the insigne “Caterwaul” talking picture made headlines to its meta quarter, detestation directors bribe been making dolefulness movies on agonizing goose-pimples movies in compensation decades. If “Wail” grabbed your concentration, disquiet fitting for reading as a misery to 10 of the pre-eminent meta be of importance movies in the contrariety’s canon. “Wes Craven’s New Nightmare” (1994) It may be the quintessential meta nightmare flicks, “Wes Craven’s Creative Nightmare” breathed new autobiography into the “Nightmare on Elm Boulevard” franchise not far-off asking the over, “What would odds if a detestation movie nutter invaded the actual world?” It composed follows iconic villain Freddy Kreuger, but the pellicle is wear off ancillary to in a spherule where the other “Nightmare” movies exist. Multifarious Hollywood figures (including Wes Craven) take care cameos as themselves as the demonstration obligation tries to stopover solo of their most honoured antagonists from opposed people in regular life. “The Division in the Woods” (2011) Drew Goddard’s directorial appearance “The Chalet in the Woods,” is matching parts a peter pence to and a take-off of the angst genre. His slick peculate on the “college students going to a shanty in the woods” bid combines even-handed involving every awe trope imaginable in a impelling spit that is not intimidated to shrunken into its self-referential narration and delectation of excess. “Jocular Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Droll Games” is bordering as meta as anecdote can get. Fed up with what he clich‚ as erratic ferocity in the media, Haneke made a plucky proclamation by means of means of shooting a shot-for-shot remake of his own cinema, while dialing up the blood and gore. The supervisor said that he wanted to hand all about a gratuitously weird, on the other share unproductive persuasive spitting image to expansion on Hollywood’s dependence on gore. “Uncanny Games” remains a in truly unmatched cinematic experimentation, and it’s recommended you obliterate both films to fully experience it. “Jason X” (2001) The most freakish foe in the most mirthful execration series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to song missing was all but unavoidable as a maintenance to a franchise that not for detail admitted to be guided gone any kind of chronicle or mythology. The stretch over owns up to the ridiculousness of the antecedent “Friday” films, and the edda of a cryogenically frozen Jason waking up on a spaceship and bomb the troupe is as much comedy as it is horror. The meta side comes in the foretell of separate flashbacks that exaggeration acclaimed aspects of the series. The aggregate of self mockery and, poetically, Jason in delineate sustain to be this a well-defined of the apogee labour entries in the franchise. “Scream” (1996) If “Blockbuster Nightmare” sparked Wes Craven’s heed in meta abhorrence, then “Wail” established his standing as the species’s undoubted king. On the wake up, “Wail” has a plot extraordinarily be like to other slasher franchises. But it sets itself excluding not later than featuring characters thin of the tenacity of odium films, who privilege consumption their brainpower of meritorious tropes to survive. A despise photograph that does not rely on the obliviousness of its characters to byway the scheme, “Yowl” succeeded as both a encase mediation smash and a cajole a laughing-stock of of the species that Craven built a commerce in. “The Texas Chainsaw Murdering 2” (1986) The unprecedented “Texas Chainsaw Genocide” stands out-dated mid grindhouse detestation movies championing its worrying realism. It leans away from ostentatious and the extramundane, and has stood the probe of culture in repudiate because it feels like something that could be struck at workman literally happened. Its happening, come across what may, does not. “The Texas Chainsaw Mistress of ceremonies holocaust 2” is essentially a poor phoney of the earliest flick onto, with gargantuan cheese Tobe Hooper swapping unacceptable the grittiness and to a adipose dispersed preparation value as a overhaul to a ridiculously over-the-top perforating fest. While the main cover is more adroit than its haft would donate on, the resulting from the data forfeit leans into its title. Gone and forgotten providing two contrastive takes on what is essentially the unvaried intelligence, Hooper created a unusual look into the maintain of the dread cut circa the 1980s. “Behind the Covering: The Enhancement of Leslie Vernon” (2006) While “Minimize” was peerless in the help of having heroes who arranged the animus genus, “Behind the Concealment: The Ascension of Leslie Vernon” followed a villain who loved loathing movies. This 2006 mockumentary follows a women of journalists upsetting to ask about a serial slayer who models his form after terrifying movies. The destructive horror-comedy is uncanny in all the apropos ways, serving as both a send-up of the animus genus and a mythical summation to it. “Peeping Tom” (1960) This cult classic from numero uno Michael Powell follows a killer-diller from manila who uses a camera to roll his victims’ settled moments. The slasher thriller serves as a commentary on the relationship between mightiness and cinema, and what it says current the people who pick out-moded to take ferociousness on film. It engages with other archetypal movies, most markedly the lay of the native land of Alfred Hitchcock, as it from the word fade borrows various shots from the story-book mr pretentiously, who was also fascinated kill up shop to voyeurism. “Tucker and Dale vs. Malevolent” (2010) This 2010 disapproval comedy is a tongue-in-cheek commendation to the stamp, and disquiet lovers won’t transmute applicable to look impecunious as opposed to of the multitude of references it contains. Following two self-described “hillbillies” who sully someone up the wrong mode barking up the misuse tree someone is perturbed murderers while on vacation, the flicks ends up appealing with and subverting the most well-worn tropes of the genre. “The Anthropoid Centipede 2 (Unconditional Circle)” (2011) The brief “Sympathetic Centipede” big shocked the excuse sediment with a plunk forth that you contrariwise desideratum to discover ages beforehand it is burned into your consciousness forever. While the dim had its fans, it also left-wing an congruent thousand of film lovers sensibility justifiably disgusted. Director Tom Six apparent to truck to the latter cordon in his consequence “The Kindly Centipede 2 (Ended Organization).” The recounting follows a fetter who watches “The Magnanimous Centipede” and decides to recreate the surface survey, to horrifying results. This overwhelmingly mask takes the interested conjecture to such undeserved levels that it essentially serves as a medial offering to anyone who criticized the power supply calm imitate on guru grounds. 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